high summer. sun is shining and the bordello is open to newcomers, the latest being slovenia’s ichisan. a 12” that bulldozes barriers, metamundus seamlessly slips between electro disco, braindance acid and gilded funk. writhing 303 jerks are tempered by warm-hearted key changes for the title track, patterns ducking into playful frolics and lush deeps. and this desire to toy with convention is what characterises the ep. bitter chords are sugared, machine grooves with nods to the dancefloors of the 70s, spaceflights with undertones of chicago, ichisan brings all together in a 12” that is as unique as it is addictive.

cocoon recordings is back with another limited 10inch edition! scotsman vince watson and frankfurt cocoon family member frank lorber are in charge for our latest baby and with no exageration we feel this is going to be one of this years highlights! although hailing from erskine in scotland and meanwhile residing in amsterdam speaker freaker by vince watson appears like a detroit house gem in perfection! this is planet e, this is electronic art, this is a deeper than deep tech-house-lovers delight! if you missed the high times of detroit techno maester vince watson beams you straight back to it - however not without adding up to date soundscapes and frequencies. you might guessed it already and we have to admit: we really fell in love with this one… big time!

british deep house veteran sir lord commix is the latest producer to hand over dats of forgotten late 90s studio sessions to the team behind for those that knoe. predictably, they ve chosen four great cuts to release. first up you ll find the elastic synths, alien melodies and fizzing motor city percussion of early tech-house style shuffler -pieces of dream-, before the p-funk-influenced uk-us garage fusion of -leroy garage- takes us in an altogether breezier direction. flip for the jovonn style synthesizer melodies and groovy garage rhythms of -new jersey-, and the electro-inspired intelligent techno dreaminess of -destiny-.

being pioneers with a new album created in no more than 6 months, the orb are bound to be exposed to fan expectations running high, while quizzical questions about little fluffy clouds and the good old times take over. it s especially jarring as the duo of accomplished soundsmiths alex paterson and thomas fehlmann has become known for its genre-bending curiosity and surprising sonic detours, exploring experimental soundscapes as well as club-friendly beats. the funny thing is, though, that whatever the context, you know a track from the orb when you hear it. case in point: cow / chill out, world!, their latest full-length offering - a masterful ambient album that branches out in many directions, but unmistakably sounds like the orb in either ear (and probably to your third ear, too).

fresh out of the summer breeze, the latest cabin fever brings the funk!

the ninth installment on house is ok comes from homeboy who brings four fresh joints to the table. after making the move to berlin earlier this year, this mediterranean goodboy brings some newly acquired production techniques with his latest record. live drum sampling, loose synth riffs and other more personal notes can be heard across the entire release. for decisions ricochet, homeboy teamed up with the croatian blues man bebe na vole who takes this record into unexplored territories for the label. these four tracks werent necessarily designed to move bodies on the dance floor, but more likely mirror his inspiration from the past 12 months and show his abilities to simply write great music. its house not house, post-disco, jazz, and acid synth hippie music all at the same time. the heart is where homeboy is will hit stores in late september both as a 12? vinyl ep

the producer javier pérez rodríguez, resonance presents his latest work: an electronic sweet-sounding journey of songs and electronic beats from ambient-idm-pop-cinematic landscapes till reach the dancefloor... a symphonic-techno soundtrack which every track will absorb into the emotional and introspective nature of the album.

ali renaults vivod label continues to bring the goods, as recent missives from skatebard and monkeyshop (their first release of any sort for 11 years) emphatically prove. the imprints latest release comes from newcomer paul withey, who follows up a fine contribution to a recent split e.o on ruby hills & diamond mountain, with a debut solo e.p of his own. the five tracks featured are nicely varied stylistically, but all boast the distinctive shimmer of analogue synthesizers and dusty drum machines. highlights include the surging italo-disco revivalism of -pallas-, cheerily positive synth-pop flex of -yes master-, and the curious, radiophonic workshop style weirdness of -beneath the surface-.

two years after his latest solo appearance on dement3d, francois x, also co-founder of the label, reveals his new ep unicorn paranoia. a record that sounds slightly more intimate indeed, after a period marked by close collaborations, especially with opuswerk (hiss:1292) and antigone (we move as one).

tiga is a pioneer of canadian electronic music. he is not one to shy away from new sounds, and is somewhat a veteran of half a dozen different music styles. his latest album phenomenon ‘no fantasy required showcased his eclectic, individual and much-loved production style. his original single ‘make me fall in love oozes with groovyness and has been remixed by benny benassi, audion and prosumer for digital release last april via counter records. alas - the make me fall in love 12? vinyl ep arrives on turbo recordings september 30th, featuring the aforementioned prosumer remix and exclusive edu imbernon & extended mixes. the new remix from edu imbernon is clean, lean and punchy - edu comes through with the deepness while maintaining a certain degree of energy that he has become know for in his latest productions. a delightful, almost ethereal mixture of synth and vox takes this jam deep into the night, and is bound to become an ibiza closing anthem.

after a summer of trips around the globe to play at croatian festivals, balinese beach clubs and a variety of underground establishments, pedro & dicky deliver the latest episode on their own paradise row label. the ep fuses their love of disco, house, italo and balearic sounds and is a proper party-starting, medium sized player with tracks that are ripe for most dance floor moments and occasions. the up-for-it, head-nodding arps and discoid thrills of dance to love get things going in style. while the chunky house and barbarellas inspired vibes of i think i can feel something will really get you moving. this one has been going down a storm in the clubs this summer. and finally, things come to a grande finale with perfecto , which cooks up italian influences with ma foombey style longings to make for a sound as balearic as large hierbas on ice. perfecto!

having bared his ego back in may 2015 and then more of his skills on a contribution to the robsoul edits collection earlier this year, long time label buddy joss moog returns with a fresh selection of beats on ’triple loop’. belying its name, we’re treated to four new sure shots from moog who, reknowned in the art of sculpting perfect party jams, has delivered once again. the stripped and simple vocal loop of the title track opens the ep, followed by the warm, buzzing bass and smooth jazzy keys of ‘etincelles’. on the flip the frenchman funks things up and breaks out the snares. disco stabs, vocal drops and rasping hats are all woven together to emphasise the classic groove. these are the breaks… amen. back on the 4x4 to close and josh lets the piano lead the dance on the smooth and soulful finalé of his latest robsoul treat.

an obscure tape release discovery by red light radio founder and close friend of the label, orpheu de jong, led to music from memorys latest release. this two track 12inch highlights the work of electronic music pioneer joel graham, a san francisco based artist who self released two cassettes in 1984/85. originally recorded and performed live on pre-midi analogue equipment in 1982 as an outline for a live performance, these visionary tracks provoke much of the same sensibilities found in both contemporary dance music as well as in works of more established vanguard artists of the time. slowly unravelling and deeply hypnotic, joel grahams music seems to manifest a doorway to a profound new world and can be seen as a forerunner of what was to come in electronic music.

staccato computer melodies, elongated elation and frenzied rhythms make up ftds latest offering. from the collaborative minds of justin tripp and brian close, known to many as the georgia creative outlet. the ny based duo set out to free up your mind and take it on a journey.

munich based pair jorkes are something of an enigma, having appeared on the scene recently with a fully formed sound and a desire to let their music do the speaking for them. musically the duo seem to be operating with few boundaries, looking to express their emotional states through their music with scant consideration for styles or genres. this latest release sees jorkes team up with fellow munich resident and vocalist karol schmejchel to deliver a slice of evocative, slo-mo nu-disco. the release kicks of with the original mix of thank you, marrying chugging drums and warm bass with stirring pads and the emotionally charged vocals of schmejchel. its a perfect track for dark backrooms and home lounging alike. the remix comes from manchester trio menage a trois who deliver a sonical beautiful reworking built around heartwrenching keys and heavily reverbed guitar parts. simple understated drums carrying the record along as their vocal treatment soars towards the heavens, this is sublime stuff. the vinyl release will also feature an exclusive instrumental of the menage a trois mix for those who like things a little more stripped back. in keeping with jorkes creative outlook, and following on from their previous release, there will be an exclusive music video of thank you forthcoming which is likely to set pulses racing once again! thanks for purchasing a real copy!

free jazz electronics, club beat tracks and psychedelic passageways all make an appearence on the latest 33.10.3402 ep for l.i.e.s. which follows up this year s earlier standout ep for the label. truly exciting music coming by way of belgrade, unafraid to turn the corner where most would runaway. adventerous music for those who know. not to be missed.

the best records have a story, they form part of a journey, different characters emerge and the good music always rises to the fore. in the case of the latest record from scottish producer jack eye jones and the legendary junior sanchez this is certainly true. cocaine blues is a step into the unknown in some respects but in another way, it s a record that seems to fit in perfectly with todays electronic music landscape.

originally initiated due to its 10th anniversary in four parts throughout the year 2015, kittball records now continues the limited vinyl series each quarter as a best of kittball” special edition reflecting its most successful tracks within the past period. having the inside tips from january till march on the spotlight, the first edition in 2016 includes originals by demarzo with a track from his debut ep and p.a.c.o.’s beatport-charting collaboration with return of the jaded on the a-side. the b-side presents tube & berger’s latest single set free” together with ghost loft as well as paji’s enormous venom”.

an imprint of käse kool. “same shit, new name” kk’s latest comes from berlin-based producer nick beringer. transit ep produces a steady flow of funky, groovy tech house that will get anyone moving until the early morning, while lopaski’s finishing remix of “brija” caps off the ep with a a fresh interpretation of nick s soon-to-be classic.

is it heavy industrial machinery or the loud noise of a tropical jungle? do we hear a swarm of exotic insects over our heads or the sound of permanent construction overshadowed by sky-scraping cranes? this is los muchachos, the latest release of sano, from medellin, colombia. a strangely swinging 12inch with 2 heavy stomping downtempo tracks for those who know and those who want to learn - plus a mesmerizing interview – remix produced by toulouse, salon des amateurs resident and member of kreidler. los muchachos is a house music short story – both tropical and industrial – about adolescence in medellin, about kids selling their cd-rs at undocumented raves, about drawing flyers and stealing 16.09.2016 kisses, testing substances and kicking stones, about bedroom production, about dance and more dreams and adventures of los muchachos - the kids

louie vega s latest album, louie vega starring... is a dualdisc conceptual record featuring over twenty-five artists on twenty-eight different songs. the record is louie vega’s first solo album ever and a contender for his magnum opus. vega is in esteemed company, with a seasoned group of collaborators imparting their magic for this special project including, funkadelic & george clinton, the 3 winans brothers and the clark sisters, jocelyn brown, nick monaco & soul clap, n dea davenport, lisa fischer, cindy mizelle, anane vega, monique bingham, caron wheeler (soul ii soul), josh milan, bucie, tony momrelle, kaylow, vikter duplaix, cassio ware, adeva, covertion & leroy burgess, kenny bobienl, zara mcfarlane, luis salinas, roberto roena, diviniti, and byron stingily.

seth troxlers play it say it label looks to sean miller for its next essential bit of dance floor dynamite. this 11th firing release on the label features two killer cuts from the canadian producer. miller has been turning out taste making tracks on a consistent basis for a decade now. releasing on mobilee, area remote and ovum he is no stranger to the best labels out there and this latest missive is another offering that will keep djs and dancers happy all summer long and beyond. the momentous a side ‘tiger spirit it’ is ten tantalising minutes of deep and seductive house music. clever drum fills, poised synth stabs and vocal coos all add oil to the groove as playful kicks punch out an infectious pattern below. this is proving to be one of key tracks in seth’s tracks this summer: ‘it’s driving the crowds wild’. ‘together’ is less physical but certainly more emotional offering. playing out perfectly effortlessly, it has swirling pads and trilling chords adding some sensuous summer sunshine to the vibe fuelled house drums below. troxler has once again unearthed a brilliant release from a talented producer right at the top of his game.

played by ricardo villalobos -- bass culture welcomes another industry heavyweight to its roster of talent with this new release, which follows hot on the heels of the killer 50th release by mr. g. this latest release comes from long time friend of bass culture owner d julz and dutch techno hero steve rachmad. steve is renowned for his funky take on techno, honing his skills as a dj and producer over 25 years and establishing himself as a respected and hugely talented artist in the process. the first of two tracks on this new ep is entitled * sabre song* - a stomping, illuminating cut straight out of the rachmad school of detroit-influenced techno. d julz heard steve play the track at womb in tokyo and had to sign it on the spot. *sabre song* is a perfect fit for bass culture with its groovy bassline, cutting hats and * big band* instrumentation. on the flip d julz himself contributes an edit of one of steves nineties classic, a favourite of his and one which both men agreed should be given a release. pumping out at a speedy tempo, the force is strong with * activa*, transporting us back to the rave era with its catchy melody, and retro physique. summer vibes all the way with this one.

yoruba records is proud to welcome kevin reynolds to the family with his latest release fembehyahget. a student of detroits early underground techno scene, kevin delivers a line-up of transcontinental sound rhythms through the lens of this seasoned producer. kevins finely tuned engineer ear and his masterful dj touch come together to offer listeners an exploratory journey from the mind of a student of all genres of music

ubers latest offering is a sublime 5 track ep from french producer shelter. sailing on a black sea is a drifting piece of ambient electronica. late night stargazing on the deck with the waves gently lapping on the shore. sad beach continues with the layered textures with a little more of a percussive feel. through the desert land is shimmering mesmerising journey through the dunes with loose congas soft guitars and a hypnotic jews harp. seaport theme continues the coastal vibrations but with a touch of bounce and uplifting choral vocal stabs and louche pads. finally water plain closes the journey with kalimbas and xylophonic melodies and the contining theme of phosphoescent seas and soothing synth sounds. a very accopmlished slice of beach bar balearica destined for sunsets around the med for years to come.

kim ann foxman realigns her vision as a producer in a welcome return to her own new york based firehouse recordings label with her &#8203,,its you that drives me wild ep kim ann foxman featured in pitchforks 7 best mixes of may 2016 kim ann foxman fact mix june 2016. the title track spins an intoxicating groove over kim anns vocals full of desire and lust, while &#8203,,give it all you got &#8203,,fuses raw energy and dextrous percussion through h&#8203,,er confident, evoca&#8203,,tive words. close ally and regular cohort maya jane coles seamlessly remixes i&#8203,,t s you that drives me wild w&#8203,,ith her signature sound. the mood suddenly becomes much tougher during magic window wrapping up the latest offering from new yorks finest lady of electronic music. since creating firehouse recordings in conjunction with t&#8203,,he vinyl factory two years ago, kim ann has released sporadically on her label, resulting in only highly thought­out and credible music from the imprint. a long standing figure in the new york dance scene, kim ann has remixed the xx and collaborated with anthony simoncinos alias ron jason. a regular at panorama bar, she continues to tour relentlessly with her high voltage signature style that is both remarkably original and infectious.

played by : subb-an, monsieur cedric (serie limitee), adam shelton, mr ks, alex arnout, julien sandre, titonton duvante (residual)
following their recent release on the one records va, core family members yamen & eda are the next offering on the label with the ‘temporis ep’. the sophisticated ep offers four dance floor tracks journeying through mesmerising grooves, intricate percussions and quirky sound effects. “we are very happy to return on one records, it’s really like a family. adam and ash believe in our music and we really feel being part of a crew. that’s why it’s always special to release on one.” - yamen & eda having first become part of the label back in 2012 as part of a va, french duo yamen & eda have since been an integral part of one records with their ep ‘planet brooklyn’ and a remix of acid mondays plus a debut gig at fabric as part of a one records showcase. over the past few years the pair have been hard at work in the studio refining their style and becoming more confident in their production and dj gigs. their release last year on early dub and this latest offering on one demonstrates this clearly, which has gained them support from the likes of appolonia and raresh amongst many

in the follow up to their recent 10 year celebrations - aus music present another landmark signing for the label as they triumphantly welcome long term friend paul woolford into the fold. few artists can boast of a catalogue as consistent and as evolutionary as woolford and his latest offering for aus - as ever - lands right on the mark in delivering a beguiling trip split over two sides of vinyl. ‘heaven & earth’ is a rich and elongated house record that contrasts bright orchestral melodies with thick, tearing bass tones. together - these two primary elements create a fervent sense of tension that no doubt will soundtrack countless memorable dance floor moments over the festival period.

boris brejcha, inventor and pioneer of the genre high-tech minimal, again combines minimal, techno and electro in his latest work called >der alchemyst<. the frankenthal based dj and producer is one of the most creative minds in germany.

melodie is cristi tudorache from bucharest, an artist who has made quite a name for himself through the 2 highly acclaimed releases on raresh s metereze and french label rora in 2015. this is his latest ep, alderaan, named after an extinct planet in star wars. alma01 includes the much sought-after acid saturday, the track that has had threads dedicated to it all over the web after rpr soundsystem played it at weather festival in 2015. the ep debuts the almanah label, a new romanian label under the curatorship of the origami sound / interval crew.

nice price deal !!!

label owner, christian gerlach recruited the young and very talented alfredo mazzilli, which already showed his skills with his latest releases on edit select records or planet rhythm. in the ep, which is dedicated to the babylonian gods, alfredo takes us into worlds of sound that reminds us of a run through the jungle and arrivals at mighty temples. shamash opens the ep and prepares the mood for an ritual which is gonna to be celebrated. wrong assessment focuses the piece in its core, but in a deeper way and holds on to a heavy baseline. ishtar reminiscent of an ceremony and the ep reaches its climax which is also continued in the iori remix. the high­energy piece marduck could be considered as an joyfully extract from this distant world. with this packet lanthan audio combines the heavy architecture of old temples, but with an ease that welcomes the coming months with joyful anticipation.

with the distinct ethnic-driven sound of deep forest, eric mouquet belongs to the few unique pioneers of electronic music. his highly recognizable sounds defined the concept of world music and shaped the all-new sound of ethnic-electronica. deep forest’s latest releases include deep brasil, deep africa and deep india where eric mouquet explores the unique musical expressions of some exciting cultures.
on his new album “evo devo” eric mouquet has gone even further – and nevertheless simultaneously back to the “bohemian feel” of his early works. his tonal craftsmanship has developed into an own artistic language. every track explores a distinct emotion. you can almost feel and follow eric’s inner motivations and share his musical journey to the frontiers of contemporary electronic music and beyond.

to say curren$y and alchemist stay in the lab would be an understatement. with spitta already dropping six projects this year, and alchemist steadily lacing the best on the mic with his trademark production, they stand alone as two of the most consistent in hip hop. following their highly acclaimed 2011 project covert coup, the two return to team up once again for their latest collaboration, the carrollton heist. boasting a complete 12 tracks, curren$y effortlessly floats over alchemist’s plush production to take you on a lavish lyrical journey, featuring guest appearances from action bronson, lil wayne, and styles p.

nice price deal !!! >dont delay< from manyus & misteralf (purple music) feat. steeveeb is our latest soulful house treasure. the 12 inch vinyl release has 4 tracks, including the original kool mix and 3 remixes from ramiro bernabela, and dj troby & francesco cofano, and bbwhite. the original kool mix moving and powerful, with funky guitar riffs and a sweet live saxophone. the lyrics are amazing, with a moving and positive message. ramiros dub mix has a deep and tech-y house vibe with filtered synth chords and spacey effects. dj troby & francesco cofanos remix is sweet and soulful with beautiful organ chords, and it has a warm, happy vibe. bbwhites disco mix is funky and groovy with jazzy saxophones and a deep, funky bassline.

nice price deal !!! disco and housey edits/remixes done by earwig and happy finish. original edit done by michael rutten (mr) of soulsearching. an upbeat, feel good groover that is sure to get the party started. the latest from the shoes label spin-off plimsoll. dont sleep on this. strictly limited pressing.

the 5 past blank tape was originally released at the mikrodisko boombox & tape station at about blank 5th birthday. it is a benefit for the lovelazers, a activist group which is producing leaflets with update infos about new safer sex in english & german. all earnings are going to support the print of up to date brochures about the latest news concerning hiv research + treatment (prep, pep etc), prevention, responsible use of substances, sexual health and positive awareness (see lovelazers.org). both 30min mixes are contributed by mikrodisko artists: nike.bordoms a-side feels like 80‘s dark electronic and the b-sides campfire power ambient is coming from mikrodiskos graphic floorwalker diashi.

>v1<, the latest release on renowned dj marco faraone and his partner norman methners uncage imprint, is a selection of tracks from europes finest upcoming producers of the techno genre. parisian producers, kas:st, berlin based artist modig, italian duo, hertz collision and producer black stone, all bring their raw producing talents to this release and the uncage label. founded in 2015, uncage continues to give free expression to established as well as upcoming artists without any compromises. the label aims to focus on pure underground quality and dynamic rising talents in the scene.

timmy ps latest outing on dessous recordings continues the long list of illustrious labels that have been home to his house vision. now based in london, timmy has a string of emphatic releases under his belt, not least on influential imprints such as local talk, extended play, dirt crew and madtech. with safety first, timmys playful approach to the deeper side of house shines though. the title track mixes crisp, crunchy drums with warm, soft pads and a bubbling bass line - a deep rolling cut with plenty of punch for the floor. the fantastically named grim fandango is a little tougher, with the snares and claps snapping tightly over a taut, un-resistible vibe. timmys balance of dynamics is masterful, each element perfectly complimenting each other to create a tour de force over 8 minutes. bosh is similarly crafted - the original echoing classic 90s house but feeling completely fresh for 2016, while james dexters remix is a robust, deep roller. this is house music made with joy and passion.

ayman rostom has really taken to the maghreban, with a succession of singles for versatile and his own zoot label that have shown him fully capable of bringing his sampling talents to the realm of house, disco and techno. the latest missive from the maghreban comes on black acre, a label rostom has previous with after that superb library music lp as dr. zygote a few years back. two tracks deep, lose it presents all that we love about the maghreban, the title track sees a classic “girl i’m starting to lose it” phrase lifted off an early jungle classic from boogie times tribe assembled with a monstrous analogue bassline and plenty of feverish effects tweaking in the mix. “wrong move” is just as smart, delving into the darkest depths of rugged breakbeat science.

here comes rauschwaren 006 by berk offset. 2 tracks from berk offset and 1 remix by norman müller. rough and raw phrikkel rhythm go hand in hand with shaky fehlerfunk techno from beginning to end! enjoy our latest release.

following the announcement that they’ve collaborated with perma-masked zomby on his upcoming lp for hyperdub, behooded hardware manglers rezzett return to home soil for their latest, and perhaps best so far, 12&#8243,,, for the trilogy tapes. with a very defined, redlining approach to techno and hardcore tropes established across their prior output on will bankhead’s label, the duo demonstrate there is still plenty of scope for invention on doyce. in essence you get two versions of the same track either side of this 12 inch.

dj support from darky sky, youandewan, san soda, urulu, chaos in the cbd, andy hart, mic newman
mculo s latest asks you to do a double take. in the second release for his homegrown roots by the oder imprint, i caught a glance, a first listen to the ep s a-side introduces a dancefloor-centric house number punctuated by the loop of a somehow ceremonious melodic riff. listen again and it lures you in with hypnotic atmospheres and valleys of endless synth. the b-side gets deeper still, wasting no time in putting forth stronger basslines and traces of growling lows. a second listen offers a more pastoral diffusion as you pick up on the soft drums and pads, classic groove, and a climate that comes full circle, recalling the a-side s easy ambiance

straight after his contribution to the splendid delusions of grandeur compilation and collaboration with sebastien vorhaus aka soul of hex as well as his latest eps on the russian capital bass label and swedish brandy ponty mython is back with a full swung ep packed with cosmic deep house tunes. how to get your life together and succeed sets the pace for the record, bringing together a kaleidoscope of sounds in ponty mythons signature style, soul meets dance floor punch.

the incomparable mark henning blasts back on soma with yet another dose of machine funk as he drops the jaguar ep. mark has consistently been one of soma’s top artists due to his amazing sound design and keen knowledge of exactly what make a top dance floor track and this latest ep really shows him operating at his highest level.

ishmael follows up his 2014 debut ep, wolfep026 with his latest offering on wolf. fans of his recent album, sometime in space will not be disappointed. the ep also features soulphiction on remix duties, injecting doldrums with some extra dancefloor pressure.

the excellent field label embarks on a new mini trilogy of eps that will -present a magical journey through modern-day trance.- first up in the series is artefakt with their three track effort the final theory. dutch producers robin koek and nick lapien make up artefakt, and between them they excel at moody voodoo music on labels like delsin. they open this latest ep with the title track, a deep, spacious house roller with subtle pads and gentle acid that perform slow motion acrobatics for nearly ten minutes. it is suspensory, dreamy music that works on the head as well as the heel. moving horizon is then less doleful and introspective but just as deep, with sweeping pads add a sense of scale, busy drums bring the dynamism and icy percussive sounds adding a sense of urgency. last but not least, solaris is a fatter, more physical groove with claps and gloopy bass, acid flashes and trancey pads all fleshing out a lush and deep electro workout. this is heavenly stuff that cannot fail to get inside your head and heart.

spring theory alumni keita sano returns to deliver the latest ep on the san francisco/paris-based label. titled miles, its an adventurous sample collage of a three-track ep that showcases the rising japanese producers knack

from my house to miami ep is the latest offering of underground audio, feat.two grooving originals by the noted tech-house force emery warman, as well as two heavyweight remixes by whyt noyz and caleb calloway. the masterful works by the three artists featured within this ep truly capture their signature sound, delivering a selection of tracks that are open to a vast variety of application.